Playlist: April 2013

This’ll be easy.

1. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

2. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

3. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

4. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

5. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

6. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

7. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

8. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

9. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

10. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

 

Seriously.  This song is already approaching the 200-mark on my iTunes play count (this is not taking into account my iPod play count, which my Civic can confirm is getting super worn out by this track).  Which is absurd.  No song — NONE — in my iTunes history has ever, EVER neared 200.  Not NIN’s “Hand that Feeds” or “Discipline.”  Not Scissor Sisters’ “Invisible Light.”  Not even previous champ, Gorillaz’ “Stylo”, which was heretofore the reigning repeat champ with a pithy 80- or 90-something.  Ha, Damon, HA.  I was worried my expectations would absolutely crush Daft Punk’s chances at releasing a song that could make me happy (see: The Strokes, Justin Timberlake), and yet they succeeded at releasing the Song of the Year (why even beat around that bush) a full 8 months before the calendar turns ’14.  This song elates me.

But…for the one or two of you in the universe who will ever read this, I suppose the show must go on.  There were other songs I listened to this month.  Sorry for them: NOTHING CAN BEAT DAFT PUNK.  But let’s toss them a bone.

First up, my album of the month is the new Yeah Yeah Yeahs, Mosquito.  It’s a grower, nowhere near as urgent as Fever to Tell, nowhere near as warm as Show Your Bones, and nowhere near as catchy as It’s Blitz.  There’s a lot of slow-building creepiness, with a couple all-out bangers tossed in for those like me with ADD.  It’s really claustrophobic at times, very weird (see: gospel choir, Kool Keith), but it all strangely works.  They never disappoint.

Now, onto the songs…

1. Lana Del Rey – “Summer Wine
Sultry and cool, as Del Rey do.  To me, this is the warm yang to the yin of Nick Cave and Kylie’s insanely dark murder ballad, “Where The Wild Roses Grow.”  It’s a Nancy Sinatra cover, done with Barrie-James O’Neill, the guy she’s currently sleeping with.  Why she didn’t do any songs with singers I’m actually a fan of (see: Ours, Marilyn Manson), this passes the test.

2. M83 – “Oblivion” (Feat. Susanne Sundfør)
This is one of those soundtrack songs that benefits from having seen the movie.  It’s epic as shit.  While the movie is a shameless amalgam of many other sci-fi classics, I still enjoyed the hell out of it.  And when the credits roll, I want to be hit in the head with something cinematic, something grand, something sweeping.  This is perfect.  She sounds like Sia, wailing over a future-throwback track that sounds like aliens recording hymns for an ’80s flick.

3. OneRepublic – “Counting Stars
Ryan Tedder is a little bastard.  I still won’t admit that I enjoy OneRepublic’s music, but he never fails to catch my ear.  This track is driving, like Mumford and Sons strained through Madonna’s “Hung Up” (and by extension, ABBA’s “Gimme Gimme Gimme”).  I’m not embarrassed to say I like it.  Thanks, meimei.

4. Daughter – “Get Lucky
Too good for Daft Punk?  Go kill yourself.  Or listen to this moody cover, which sounds like The xx taking a somber stab at Neil’s Song of the Year.  It’s a great cover, taking the happy-go-lucky vibe of the original, drowning it in pills and self-loathing, then mumbling it out in depressing fashion.  Kudos, you sad kids.

5. Stephen Frost – “Fire and Ice” (Feat. Jessi Coble)
Frosty went pop!  Sell-out!  Naaaaah, I’m just kidding.  This is unabashed pop goodness: a dancefloor-ready track with bold vocals.  It’s ripe for remixing.  Already a hit in the UK (what??????) and on Rdio, it’s an unexpected glimpse of the big time for Lil’ Stevie.  The gays are gonna love this song.

 

 

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