Review: Daft Punk – Random Access Memories

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It’s finally here.

I debated whether or not to listen to the leak, but I’ve been waiting for this thing for so long that I threw morals out the window.  You ready?  Here we go.

1. “Give Life Back To Music”
Simple, groovy intro of what to expect from the album.  It doesn’t go anywhere, really.  But it’s so smooth and comforting, I’m chomping at the bit.

2. “The Game of Love”
Light them candles, run a bath, get those scented oils ready: it’s time to get DOWN.  I started caressing my keyboard and slowly grinding my big swivel chair — totally naturally — about midway through this song.  A gazillion babies will be made to this track, guaranteed.  Mmm, mmm, mmm… I’m gettin’ all sweaty.

3. “Giorgio by Moroder”
Giorgio Moroder talks over the slick, funky bass of this cool cat track.  It’s like that weird Baz Luhrmann graduation song that was big all those years ago.  Except awesome and badass because it’s Giorgio fucking Moroder talking over Daft fucking Punk.  The breakdown at the end is just buzz-out freaky great.  Oh and it’s 9-minutes long.

4. “Within”
Setting: cyborg piano bar.  Song: this.  Vocoder vox over a lush chillaxed melody.  I’m drifting off into space.

5. “Instant Crush”
Indeed, the robots say with a wink.  The groove throws me back to some Police/Alan Parson’s shit, steady and thrumming.  Is that Cyborg Julian Casablancas on vocals?  Oh yes, it is.  SURPRISE.  I’m still on a high as the synths come in to get the body moving.  Then the electric guiltar solo comes whizzing by.  Is this still Daft Punk?!?  It’s still fucking AWESOME.

6. “Lose Yourself To Dance”
Let me just take a pause here, as the guitars squawk and jive: this is their most human album to date.  It’s so vibrant, so organic, so — oh hey guys, Pharrell’s here early! — groovy.  Pharrell’s falsetto (phallsetto?) pops up a couple songs before “Get Lucky” arrives.  Hand claps, bass squiggles.  Hawt dayum!  This is no club banger, but it’ll keep me slinking and snapping until the end of time.  I feel like it’s a good time to pop on a suit and go strut through my neighborhood.  (but if I’m being honest, it does drag a little if you’re not drunk or high off pheromones… don’t ever say I’m a complete Daft Punk fanboy apologist ;P)

7. “Touch”
We Are Drifting Into Spaaaaaaaaace.  “TOUCH…”  Who is that old guy singing?  It’s Paul Williams (no relation to Pharrell).  Who?  This guy.  I was iffy at first, but then BAM, it explodes into some Mos Eisley cantina type shit.  But classier.  And there’s some angelic choir at the end.  This AOR, borderline elevator-music is not my type of thing, but it’s a pleasant enough journey to take before….

8. “Get Lucky”
…fuck yeah: there’s an additional 2 minutes tacked onto the album version.

9. “Beyond”
OOOOOOH MYYYYYY GAAAWWWWWWD.  Triumph!  Cinematic epicness!  This is some “I Keep Forgetting” Michael McDonald shiiieeeeeet.  Ga-roo-vaaaaay.  The lost in space riff at the end is absolutely delicious.

10. “Motherboard”
I think I hear a flute in there.  Yeah, that’s a flute.  Where was the Collaborator video for that?  This sounds like a come-down song, something to break the monotony of spacing out/making out/gittin’ down/gittin’ it UP.  (There’s some strings in there too.)  but oh wait goddamn THE ENDING.  Are we back in the midst of the ’90s UK rave scene?  LOVE.

11. “Fragments of Time”
This will throw your parents back to their childhood (or grandparents?  how old are you?)…  It’s SO good.  Todd Edwards handles vocals on this track.  You may remember him from Discovery gem “Face to Face.”  Another happy surprise on an album already chock-full of impressive and respectable guest spots.  (there’s even a Discovery alluding keytar freak-out at the end)

12. “Doin It Right”
This sounds like classic Daft Punk — in case all of the relatively mellow stuff on this album is really angering you young “EDM” kidz — but it’s still no club banger.  I guess there are no 4-on-the-floor showstoppers here?  Anyway, this is the one with Panda Bear, oh he of Animal Collective.  This indie hipster inclusion rubbed me the wrong way at first (Daft Punk’s talent is a bit weakened because this sounds like any other Pitchfork/Stereogum-baiting throwaway), but the track is harmless.

13. “Contact”
Is this M83?  JK! JK!  It’s an astronaut in space and yeah yeah we get it, you’re robots.  The doom-and-gloom organ brings back that cinematic feel from “Beyond” and ohmygod this will be a great closer.  Sounds like the closing song to a really badass movie, right before it abruptly stops and the credits roll.  I love the drum and metal breakdown.  Just a not-so-subtle reminder that no matter what you thought of the album, Daft Punk will still kick your ass.

 

Verdict: of course this is fucking awesome hahaha… DUH.

Personal faves: “Fragments of Time”, “Giorgio by Moroder”, “Instant Crush”, “Get Lucky” (duh), “Beyond”, “Motherboard”, “Contact”

Next single: “Fragments of Time”, hands down.

Let’s face it: this album could never, ever, eva eva evah live up to the expectations piled upon it (see: The 20/20 Experience).  No way in hell.  So stop bitching.  But goddamn, is it a smooth, smile-inducing groovefest.  You want bangers?  Head to Homework.  You want more outrageous synths?  Do Discovery.  You want to get bored to death and wish you were really a robot so you could turn yourself off?  Human After All.  Solo dance party in your undies until you collapse from exhaustion?  Alive 2007.  A good warm feeling of joy, life and chest-bursting affirmation?

Random Access Memories.

Out *officially* on 5/21 via Columbia.

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One thought on “Review: Daft Punk – Random Access Memories

  1. […] I shall start by getting this out of the way: my Album of the Month for May was Daft Punk‘s latest.  As if it could have been anything else.  It’s on track to be my #1 for the year.  Unless Trent can whip something up before Dec. 31, 2013, it’s a safe bet.  This album is huge.  SPIN described it as a Bob Fosse meets George Lucas space musical.  Pretty much.  My song-by-song review is here. […]

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