Tag Archives: Marilyn Manson

2015 Favorites (So Far)

Top: Brandon Flowers, Marilyn Manson, Empire Middle: Carly Rae Jepsen, Daniel Johns, Florence + The Machine Bottom: Dr. Dre, Kelly Clarkson, Muse

Top: Brandon Flowers, Marilyn Manson, Empire
Middle: Carly Rae Jepsen, Daniel Johns, Florence + The Machine
Bottom: Dr. Dre, Kelly Clarkson, Muse

A few months ago I thought to myself: “Self, is it 1997 again?”  I was rocking to Marilyn Manson, Blur, Noel Gallagher, and Prodigy…  Timbaland kept my head nodding…  Bjork released something that sounded Homogenic…  (Seriously, all those things happened in 1997 AND now again in 2015.  Whaaaat?)  Yes, I’m aging and nostalgic, but in my defense, my old heroes are still making new music.  As the year progressed, some other familiar faces joined the fray.  I thought 2014 was a huge year (seriously, go back and see how many gigantic — but ultimately disappointing — records were dropped last year) but this year is proving to be stellar.  It’ll be interesting to see who survives until December and how the love-rankings change…  Here goes:

1. Marilyn MansonThe Pale Emperor
This album did not leave my car’s dash for about 2 solid months. A return to form, a concise, tight work from a man who has finally matured and settled into a realistic and content place. Catapulted into my top 5 Manson albums of all time, which is no small feat.
Must: “Deep Six” | “Mephistopheles of Los Angeles” | “Devil Beneath My Feet” | “Cupid Carries A Gun”

2. Brandon FlowersThe Desired Effect
Since 2004, Brandon Flowers has been one of my spirit animals.  We’re the same age, and even though our lives are completely different (see: Mormon rock star vs. doubting Catholic nobody), every lyric he writes hits me right where it counts. If this was a Killers album, it’d be my 3rd favorite after Hot Fuss and Battle Born.
Must: “Can’t Deny My Love” | “I Can Change” | “Lonely Town” | “Untangled Love”

3. EmpireOriginal Soundtrack
What. A. Show. Thank God for Timbaland, because this soundtrack is just stacked, start to finish, with absolute bangers that hearken back to a funner, more bombastic time in hip-pop (i.e. Timbaland c. Missy Elliot-era & Timbaland c. JT/Nelly Furtado/2008 glory). The show is so good it could carry these tunes, but they stand on their own.
Must: every single song, except for the Courtney Love/Jennifer Hudson/Mary J. Blige songs… yes I’m serious, the cast can hold their own.

4. Carly Rae JepsenE MO TION
Yeah I’m surprised too.  No idea from what corner of the pop heavens this glorious album descended from, but holy hell, it’s perfect. She deserves more credit and airplay for this. ’80s-tinged gems that are catchy, fun and not the least bit corny. Unfortunately, it seems like this record might get buried by Taylor’s unstoppable 1989 (still got legs!) but she really deserves at least some kind of Tove Lo-level exposure.
Must: “Run Away With Me” | “Emotion” | “Gimme Love” | “Your Type” | “Love Again”

5. Daniel JohnsTalk
I love Silverchair. I love Dissociatives. I love anything Daniel Johns does. Yet I still went into this with some trepidation. In the end, I’m still onboard.  Whereas B.Flow is my Vegas spirit animal, Daniel Johns is my Australian walkabout guide. Produced by Lorde’s guy, it sounds like Sam Smith and Frank Ocean at some points, but it’s all Daniel. The Silverchair fans that never got past Frogstomp (lulz) are so pissed about this, but if you’ve been keeping up with his career, this is a wonderfully logical progression.  Gorgeous.
Must: “We Are Golden” | “By Your Side” | “Cool On Fire” | “Dissolve” | “Chained” | “Faithless”

6. Florence + The MachineHow Big, How Blue, How Beautiful
Took a few spins, but the ol’ California spirit finally hit me.  A great breakup album, it has a few bangers.  Not as many as her previous records (Ceremonials is still my fave), but enough to warrant repeat listens.  There are a few slower same-same tracks, but you can easily skip them and jump right to the good stuff.
Must: “Ship To Wreck” | “How Big, How Blue, How Beautiful” | “Queen of Peace” | “Hiding” | “Make Up Your Mind”

7. Dr. DreCompton
16 years later.  This album is not a singles/hits collection.  It’s not a party record.  It’s a journey through Dre’s history, past and present, coming full circle at the “end” of his career.  It’s exhilarating, heavy, and intense.  It just came out, so I have no doubt that it’ll climb in my rankings by the end of the year.  It’s quite the experience.
Must: “Genocide” | “Loose Cannons” (skip the murder skit at the end… yikes) | “One Shot, One Kill” | “Just Another Day” | “For The Love Of Money”

8. Kelly ClarksonPiece By Piece
Nothing new here, just a solid, adept collection of pop gems from one of the best voices we have today.  We’ve got some Sia collabs, some sappy (but so, so moving) ballads, and one particular banger that should not have used anything dubstep-inflected (so 2012) but that works so well.  One of my favorite songs of the year, “Take You High.”
Must: “Heartbeat Song” | “Invincible” | “Someone” | “Piece by Piece” | “Take You High” | “War Paint”

9. MuseDrones
I’m still on the fence about this one.  It’s tied with The 2nd Law as the worst Muse album ever (doesn’t bode well for our heroes’ trajectory) but it actually has more good songs on it than its predecessor.  So confusing.  That old riff spirit is back and the songs are concise, but when you go back and listen to Origin of Symmetry (which Matt said they were trying to spiritually recapture) it’s really not the same.  Sigh… downward spiral since The Resistance era ended…
Must: “Dead Inside” | “Psycho” | “Reapers” | “The Handler”

10. The ProdigyThe Day Is My Enemy
BOOM!  This is a violent little record.  Even though they’re “electronic,” Prodigy were always more comfortably lumped in with more aggressive and physical rock and metal acts (just look at their live shows).  Their latest is just pure fury. Nothing new here, nothing really to write home about (nothing will ever beat Fat of the Land, even though Invaders Must Die comes really close).  Just a straight-up punch to the face.
Must: “The Day Is My Enemy” | “Nasty” | “Rok-Weiler” | “Rhythm Bomb” | “Get Your Fight On” | “Wall Of Death”

11. Mark RonsonUptown Special
Great background music.  Fun all-around record.  Gets placement here simply for “Daffodils.”  What. A. Song. (there’s also that song with Bruno Mars… maybe you’ve heard it a few times on the radio…)
Must: “Summer Breaking” | “Feel Right” | “Uptown Funk” | “Daffodils” | “In Case of Fire” | “Heavy and Rolling”

12. Big Data2.0
Where’d these guys come from?!  This is one of those albums that can be played at parties from now until the end of time.  Fantastic groovy songs with a wide array of exciting guests (Rivers Cuomo, Dragonette, Kimbra), but nothing beats the glory of “Dangerous,” one of the best songs of the year.
Must: “Business of Emotion” | “Dangerous” | “Clean” | “Snowed In” | “Get Some Freedom” | “Perfect Holiday”

13. BlurThe Magic Whip
Full disclosure: my family is from Hong Kong, where the boys recorded this album. So I came in super biased.  Luckily they deliver. Anything is better (in my book) than 13 and Think Tank.  There’s some of the their old energy here, a lot of solid pop tunes, and a little Gorillaz energy seeping in (“New World Towers” and “Thought I Was A Spaceman”). Happily surprised with how good this turned out.
Must: “Lonesome Street” | “Go Out” | “I Broadcast” | “There Are Too Many Of Us”

14. Tame ImpalaCurrents
By year end, this will probably climb up a few spots.  It’s taken me a few listens to really appreciate the soundscapes.  I was worried about the hype heaped upon this one, but so far, it’s delivering.  Groovy, smooth, super catchy. Ronson’s “Daffodils” was just a taste of what Kevin Parker was up to…  It’s an album of 70s-inspired dreamy space groove.
Must: “Let It Happen” | “The Moment” | “The Less I Know The Better” | “Disciples” | “Cause I’m A Man”

15. Noel Gallagher’s High Flying BirdsChasing Yesterday
I miss Oasis.  You miss Oasis.  Thank God he was the genius behind Oasis because this is basically another album’s worth of perfect Noel tunes.  Nothing too revelatory here, but it’s so familiar and comforting to hear him do what he’s so good at.  With some psychedelia tossed in for good measure.
Must: “Riverman” | “In The Heat of the Moment” | “While The Song Remains The Same” | “Ballad of the Mighty I” | “Revolution Song”

And then we have the “Close but no cigar” ones that kept this from being a “Top 18” list…  they’re awesome albums, but as the year has progressed, they haven’t had the staying power as the 15 above:

1. BjorkVulnicura
It really is a gorgeous, heart-breaking album.  But I’m not in the right place right now and this is NOT what I would consider feelgood stuff.  It’s way too heavy for me right now, despite the moments of beauty and “classic” Bjork that’s shining through.  It’s just too sad.
Must: “Stonemilker” | “Lion Song”

2. Courtney BarnettSometimes I Sit and Think, And Sometimes I Just Sit
This album is great, don’t get me wrong.  And it is home to my favorite song of 2015 (“Pedestrian..” IS BEST).  Her lyrics and delivery are stellar, the songs are cute, but I don’t see this staying in rotation past this year.  Who knows.
Must: “Pedestrian At Best” | “Aqua Profunda!” | “Depreston” | “Nobody Really Cares If You Don’t Go To The Party”

3. You + Merose ave.
Here simply to give it some exposure and remind myself that there are some gorgeous, absolutely gorgeous tunes on this record (a project from Pink and her guy friend).  “You and Me” and “Unbelievers” are worth the price of admission, but I haven’t listened too thoroughly to the other tracks.  Yet.  This will likely get me through Autumn and Winter, so we’ll see whether it jumps by year end.
Must: “Capsized” | “You and Me” | “Unbeliever”

Bottom 9

Top: The Prodigy, Mark Ronson, Big Data Middle: Blur, Tame Impala, Noel Gallagher’s HFB Bottom: Bjork, Courtney Barnett, you+me

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Review: Marilyn Manson – The Pale Emperor

Hey pal, you've got some cake on your face...

Hey pal, you’ve got some cake on your face…

Take a trip down memory lane with me.  The year is 1995.  I’m watching MTV with my buddy and a video starts.  Some clown covered in bird shit with makeup all over his face is screaming at the camera.

Friend: “Oh shit, this guy is awesome!  You know them?”
Me: “Nope.”
Friend: “This song rules.”
Me, singing along: “...who am I to disagree?
Friend: “I thought you said you didn’t know them?  How do you know this song?”
Me: *rolls eyes*

And so began my absolute love affair with Marilyn Manson.  A year later, I was hunched over a brand new CD acquisition, CD liner booklet filled with depraved, filthy images of decay, perversion, and a guy on his knees, a gas mask on his face, connected to a hose attached to another guy’s crotch.  This was serious fucked-up shit.  I still remember the fresh smell of that booklet, the newly-opened CD fragrance that gives me Ratatouille moments up until this very day.

A few years later, I’m standing outside my local CD purveyor in the dead of winter, freezing my ass off.  My mom was with me, buying everyone around us coffee.  At the front of the line, Marilyn Manson sat at a long table, face plastered in colorful makeup.  Hours later, I finally get to meet my hero and all I could muster was “OhmyfuckinggodIloveyousomuch!”   He signed my copy of his autobiography with a smile and nodded at me.  My mom came up next with another copy to sign for my friend.  “How are you today?” she asked him.  He smiled at her and replied, “Very well, thank you.”  And then they start chatting!  Meanwhile I’m standing off to the side, aghast that Manson is getting more out of my mom and they are becoming fast friends.

Over the next few years, I don my makeup.  I do my nails.  I try the torn pantyhose look.  I squeeze into my pleather pants.  I see him in concert about 6 or 7 times.  You’ve never seen me in such a frenzied state.  Nothing beats it.  The last time I feel such absolute fanboy love/lust, it’s 2001 (the post-Columbine Holy Wood era, i.e. his last truly great spectacle tour).  And then nothing but a steady decline.

The Golden Age of Grotesque was Manson’s turning point.  The last album that incorporated that insane feral energy and deviously intelligent wit.  Then the drugs and relationships got the better of him and he released a trio of absolute eye-rollers, starting with the passable Eat Me, Drink Me, then the godawful High End of Low, and finally an album that I don’t even have on my “just in case” external hard drive, Born Villain.  As a good fan, I never completely gave up hope, but I didn’t get those hopes up either.

And then The Pale Emperor happened.

What an album.  Clocking in at a sparse 10 tracks, it’s a concise, masterful gut-punch, full of swagger, thump and enough old-school creep-atmosphere to please his die hard shock rock faithful.  I never thought I’d see this day.

Depending on how much you’ve listened to him in the past, I can break the album down into a couple categories.
“Old” Manson (i.e. sounds like it was produced by Trent or something, aka “File Under Antichrist Superstar and Holy Wood):  “Deep Six,” “Slave Only Dreams To Be King”
SwagTASTIC (i.e those Manson songs that you can kinda dance to, aka might fit nicely onto Mechanical Animals): “Third Day of a Seven Day Binge,” “The Mephistopheles of Los Angeles,” “Devil Beneath My Feet,” “Cupid Carries A Gun”
Creeptastic (i.e. perfect for a horror movie, a mix between “Man That You Fear” and the creepier tracks on Holy Wood, and all the amazing ballads on Mechanical Animals): “Killing Strangers,” “Birds of Hell Awaiting,” “Odds of Even”
There’s also a trio of acoustic bonus tracks on the deluxe edition: “Day 3” (acoustic of “Odds of Even”), “Fated, Faithful, Fatal” (acoustic of “Slave Only Dreams to Be King”) and “Fall of the House of Death” (acoustic of “Third Day of a Seven Day Binge”).  Well worth your time, if you can snag them.  Manson claims that every song on the album was recorded in one take, so God bless producer Tyler Bates.
If I had to choose a least favorite song on the album (i.e. that dreaded skippable track), it’d have to be “Warship My Wreck.”  The good thing is that it’s not bad.  It’s just not as catchy as everything else.  It’s still got great atmosphere, but once you’ve heard everything else, you’re going to want to skip ahead.
In the Manson power rankings, I’m going to go ahead and put it behind Holy Wood.  It’s likely tied, overall, with Portrait of an American Family.  But for me, at this age, it barely nudges Portrait down a peg.  As follows:
1. Antichrist Superstar
2. Mechanical Animals
3. Holy Wood
4. Pale Emperor
5. Portrait
6. Eat Me, Drink Me
7. Smells Like Children
8. High End of Low
9. Born Villain
Take that to the bank.  Manson has aged and he still has a lot to offer a world that has come to accept him as not really that shocking at all.  Surprisingly, he remains a hero/icon to a new generation of ignored, lost and misunderstood youth (who weren’t even old enough to remember the religious furor kicked up during the Antichrist era).  He remains one of the most intelligent performers alive and, even though his wit and ferocity were strangely silenced during the Bush years, music still needs a cartoon villain and underdog.  The fact that Holy Wood remains relevant almost 14 years later is both a sad truth about American society (and it’s love of God, guns and government) and a reminder that Manson was one of most vital and important music and pop culture figures of our lifetime.  The Pale Emperor is his way of saying “Don’t count me out just yet.”
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New Release Mayhem, Starring Silversun Pickups, Tenacious D and Candlebox

It’s almost April.  APRIL.  Where has 2012 gone?!?  All of a sudden, we’re on the doorstep of Spring and soon it’ll be time to drive around with the windows down.  Preferably, new tunes will be wafting from your speakers.  Here, I present to you a quick info-dump of highlights, lowlights and curiosities that will be released in the coming fiscal quarter.  It’s not going to be a stellar year, judging from this batch.  But with the lack of Blockbuster Albums, I’m sure the bulk of these will be Pretty-Good Albums.  Get your bittorrent clients ready…

 

The Good (AKA, What You Should Be Excited For):

Let’s start with the stuff I’m most excited for…

The Shins, Port of Morrow (March 20): it’s already out, but let us remind you one more time.

Mars Volta, Noctourniquet (March 27): At The Drive-In reunite AND Mars Volta have a new album?  Sparta fans hang their heads and pout (cue George Michael’s Snoopy-walk…).

Cowboy Junkies, Wilderness (March 27): is it too much to hope for another “Common Disaster”?

Of Monsters and Men, My Head is an Animal (April 3): it’s already out in Iceland (and you can find it online), but the US release has a new album cover.  You should pick up any version you can get your hands on.  This is a beautiful, beautiful album.

Jack White, Blunderbuss (April 24): judging from what we’ve heard thus far, this should be great for White Stripes fans (Dead Weather and Raconteurs fans are not as important).

The Dandy Warhols, This Machine (April 24): this band is so underrated it’s not even funny.  With a discography of solid albums under their collective freak-boho belts, this should be another good set.

Santigold, Master of My Make Believe (May 1): it’s been 4 years (FOUR!!!) since her phenomenal debut.  The first few tastes we’ve received are promising, so this should be another funky, catchy set from NYC’s M.I.A.

Keane, Strangeland (May 8): they’ve never disappointed me and I’m hoping this will be another album’s worth of catchy hooks and heartbreaking whining.

Silversun Pickups, Neck of the Woods (May 8): their last album was one of my top 3 of 2009.  Between this and the new Keane, May 8th is going to be sweet (cue Cube)

Garbage, Not Your Kind of People (May 15): the first single, “Blood For Poppies”, is not enough to inspire my inner fire, but hopefully the rest of the album will be a solid return to their self-titled album and not another shitshow like beautifulgarbage.

Tenacious D, Rize of the Fenix (May 15): yes, YES YES YES.

But it’s not just about the shit that I enjoy.  I’m the populist of this blog, so I have to mention a few other notable newbies.

For pop fans — certainly there are none of those here — Madonna has that new one coming out, if you were unawares because you live under that rock.   I cannot wait for this album, as Madonna can do no wrong in my book.  Also Katy Perry‘s re-release of Teenage Dream and Nicki Minaj‘s new set of insane schizoid rap.  The Idol crew have new sets from Adam Lambert, Carrie Underwood and Clay Aiken.

For old farts and fans of old people music, Santana‘s dropping a new one on May 15 and my Bizzarro-world alter ego (see: Neil Young) and band Crazy Horse will drop Americana, the first album in nearly a decade, on June 5.

For the more high brow and/or too-cool-for-school, we’ve got M. Ward, Elvis Costello, Regina Spektor and a pair of Damon Albarn goodies (this guy cannot rest!) on Rocket Juice and the Moon (March 27) and Dr. Dee, which is about some forgotten 16th century British scientist, on May 8.  Ugh, stick to Blur and Gorillaz, pleeeeease…

 

The Bad (AKA, Things That I Believe Should Never Be Released, AAKA, Did Anyone Ask For This???)

Chris Brown‘s latest audio abortion… can we please be rid of him already?

Marilyn Manson, Born Villain (May 1): I’ve been a diehard fan since Portrait, but how much bullshit can one fan endure?  It’s been almost a decade since he’s released anything worth listening to and almost half a decade since releasing anything I could sit through without wanting to burn all of my old t-shirts and import singles.  Sigh… he needs to just give up already and OD.  What a waste of talent…

In other past-their-prime news, for the withering and aged rockers amongst you, Ministry (March 27) and Van Halen (out now) beckon.  Sigh…

 

The Curious (AKA, WTF?, AAKA, They’re Still Around?!?, AAAKA, Wow, Someone Needs Money…)

These aren’t necessarily awful (who am I to judge?) but they had me scratching my head…

First off, it is apparently ’90s throwback time.  Both Monica and SWV have new albums coming out, as if anyone asked for these.  If only Aaliyah and Left-Eye were still with us, we’d have a more A-level pair of comebacks to look forward to.  Ashanti is also trying to get back in the game.  If Ja Rule thinks the world is waiting for new material from him as well, may God help us all.

On that note, it might also be time for an early ‘oos screamo/skatepunk revival.  I have nothing against this batch, as I may or may not have some of their stuff in my library, but seriously, I had no idea these groups were still in existence.  So, Warped Tour kidz, get ready for new Operation Ivy, Mxpx, Taproot, Anberlin and *drumroll* THE USED.  You know Yellowcard dropped a new album last year, right?  No?  Well then, that does not bode well for these folks…

Counting Crows and Train will also drop mediocre new albums for the soccer mom masses, but what I’m truly, truly excited for are two records that nobody asked for: Candlebox (April 3) and Eve 6 (April 24).  Oh yeeaaaah!!!  Remember them?  Yeah, exactlyOur Lady Peace is also making a comeback with Curve (April 17) which I’m kinda excited for.  If this opens the floodgates to Seven Mary Three, Sponge, Marcy Playground or Everclear, that Mayan apocalypse thing might not be such a bad idea.

 

LOL.  This is not an April Fool’s joke.

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