Tag Archives: Stephen Frost

Playlist: April 2013

This’ll be easy.

1. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

2. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

3. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

4. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

5. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

6. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

7. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

8. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

9. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

10. Daft Punk – “Get Lucky” (Feat. Pharrell Williams and Nile Rodgers)

 

Seriously.  This song is already approaching the 200-mark on my iTunes play count (this is not taking into account my iPod play count, which my Civic can confirm is getting super worn out by this track).  Which is absurd.  No song — NONE — in my iTunes history has ever, EVER neared 200.  Not NIN’s “Hand that Feeds” or “Discipline.”  Not Scissor Sisters’ “Invisible Light.”  Not even previous champ, Gorillaz’ “Stylo”, which was heretofore the reigning repeat champ with a pithy 80- or 90-something.  Ha, Damon, HA.  I was worried my expectations would absolutely crush Daft Punk’s chances at releasing a song that could make me happy (see: The Strokes, Justin Timberlake), and yet they succeeded at releasing the Song of the Year (why even beat around that bush) a full 8 months before the calendar turns ’14.  This song elates me.

But…for the one or two of you in the universe who will ever read this, I suppose the show must go on.  There were other songs I listened to this month.  Sorry for them: NOTHING CAN BEAT DAFT PUNK.  But let’s toss them a bone.

First up, my album of the month is the new Yeah Yeah Yeahs, Mosquito.  It’s a grower, nowhere near as urgent as Fever to Tell, nowhere near as warm as Show Your Bones, and nowhere near as catchy as It’s Blitz.  There’s a lot of slow-building creepiness, with a couple all-out bangers tossed in for those like me with ADD.  It’s really claustrophobic at times, very weird (see: gospel choir, Kool Keith), but it all strangely works.  They never disappoint.

Now, onto the songs…

1. Lana Del Rey – “Summer Wine
Sultry and cool, as Del Rey do.  To me, this is the warm yang to the yin of Nick Cave and Kylie’s insanely dark murder ballad, “Where The Wild Roses Grow.”  It’s a Nancy Sinatra cover, done with Barrie-James O’Neill, the guy she’s currently sleeping with.  Why she didn’t do any songs with singers I’m actually a fan of (see: Ours, Marilyn Manson), this passes the test.

2. M83 – “Oblivion” (Feat. Susanne Sundfør)
This is one of those soundtrack songs that benefits from having seen the movie.  It’s epic as shit.  While the movie is a shameless amalgam of many other sci-fi classics, I still enjoyed the hell out of it.  And when the credits roll, I want to be hit in the head with something cinematic, something grand, something sweeping.  This is perfect.  She sounds like Sia, wailing over a future-throwback track that sounds like aliens recording hymns for an ’80s flick.

3. OneRepublic – “Counting Stars
Ryan Tedder is a little bastard.  I still won’t admit that I enjoy OneRepublic’s music, but he never fails to catch my ear.  This track is driving, like Mumford and Sons strained through Madonna’s “Hung Up” (and by extension, ABBA’s “Gimme Gimme Gimme”).  I’m not embarrassed to say I like it.  Thanks, meimei.

4. Daughter – “Get Lucky
Too good for Daft Punk?  Go kill yourself.  Or listen to this moody cover, which sounds like The xx taking a somber stab at Neil’s Song of the Year.  It’s a great cover, taking the happy-go-lucky vibe of the original, drowning it in pills and self-loathing, then mumbling it out in depressing fashion.  Kudos, you sad kids.

5. Stephen Frost – “Fire and Ice” (Feat. Jessi Coble)
Frosty went pop!  Sell-out!  Naaaaah, I’m just kidding.  This is unabashed pop goodness: a dancefloor-ready track with bold vocals.  It’s ripe for remixing.  Already a hit in the UK (what??????) and on Rdio, it’s an unexpected glimpse of the big time for Lil’ Stevie.  The gays are gonna love this song.

 

 

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Playlist: March 2013

Jeez, another month blew by.  ONE FISCAL QUARTER.  And now we’re a few days into April and I haven’t even updated you on my March listenings yet…  You — all one or two of you, bless your hearts — must have been so anxious to see what I’ve been feeding into my ear tubes.  Fear not, for I have risen.  Let’s go!

[Remember: we’re going for play count here….  No cheating!]

 

1. how to destroy angels – “Strings and Attractors
This song sounds like something off The Fragile (by way of Year Zero), which is alright in my book because The Fragile is secretly my favorite NIN album (sorry, Downward Spiral, you’re still technically the “best”).  I cannot wait to hear this in concert.  House of Blues, 4/27!  Gah!

2. Phoenix – “Entertainment
Argh, conflicted!  Why?  This is the chinkiest-sounding shit I’ve ever heard, and yet…. YET…. it’s so goddamned catchy!  Like, earworm-cannot-be-dislodged-from-brain catchy.  Bound to be in the Top 10 Songs of 2013.  And the video is a ridonkulous, high art homage (yes, I’m calling it an homage) to Korean dramas.  A+, you French bastards.

3. Rihanna – “Lost In Paradise
I know, I’m supposed to be punishing her for going back to Breezy, but no.  I love this song (thank you H&M in-store music, as always). Her “darker” tracks are always my favorites and I’m assuming this is the dark horse of Unapologetic.  Sounds like it’d fit nicely on Rated R (my favorite RiRi album).  Hum along.

4. Bruno Mars – “Moonshine
My favorite track off his latest album (if you remember, my album of February).  As my sister said, “This would be your favorite.”  Totally.  Funky beat, driving rhythm… reminds me of my favorite Alan Parsons Project shit (sorry for this obscure, embarrassing and problematically incorrect point of reference).  It’s cool, it’s catchy.

5. Fall Out Boy – “My Songs Know What You Did In The Dark (Light ‘Em Up)
They’re back!!!!  I didn’t realize how much I missed them (I’m really serious, sue me) or their pretentiously laughable song titles (are we still LiveJournaling, bros?).  This stadium-banger is wielding a killer chorus and it’s just…agh, I miss 2005!  I’m so surprised by my love for this song that I’ll just stop here.  I’m on fiiii-yaaaaaaaah!

6. Usher & Diplo – “Go Missin‘”
I’ve been sitting on this since February.  It’s a slow burner.  So smooth, so hypnotic.  He’s so into the electronic thing these days that it’s no surprise to hear this style song, but without him worrying about filling a dance floor with insane high energy shit, he can utilize that smooth-ass voice of his.  Mmmm mmm, smoove.

7. Alt-J – “Estocada” (aka “Something Good”)
Sorry, Alt-J.  They’re at the butt-end of my 2012 Albums list and, you know what, they should be in the Top 3 or 5, at least.  I saw them in March for the first show of their current US tour.  It was amazing.  This song in particular — already one of my faves off the album — was infused with so much ass-kickery in a live setting that I can’t stop listening to it.  They’re so good and so few people know about them… there’s still time to get into them before you’re accused of bandwagoning.  Get with it!

8. Junip – “Your Life, Your Call
In a year packed full with highly anticipated albums (Strokes, JT, NIN, Daft Punk, Arcade Fire, YYYs), I am so surprised that Junip just popped out of nowhere and into my life.  I cannot wait to hear the rest of this album.  Jose Gonzalez singing without his usual acoustic accompaniment + 2 guys who play instruments = this.  I’ll be damned, but I think I might be more into it that both the new Strokes and JT combined.  Great job, Junip boys.

9. Youngblood Hawke – “We Come Running
This song has been out forever, right?  I’ve heard it on the radio for months, but have just finally let it into my heart.  It’s happy, it’s catchy.  It’s like a lamer version of a fun. anthem mixed with some old pop-punk-emo aesthetic.  It makes me happy.

10. Demi Lovato – “Heart Attack
Damn, girl.  When I first heard it, I was like, “Ugh this is so generic and boring.”  And then I couldn’t get it out of my head (especially that “chorus”!)  So there you have it, I will just embrace this.  The lyrics are dumb, most of the song really is quite generic, but damn… that “ataaaAAAAAaaaAAAAAAK” is money.  Pure money.

And finarry, the latest from Stephen Frost.  This one’s a rocker and *might* be my favorite off his current album project.

Damn.  Looking back on this list — I’m listening to some pretty poppy shit these days!  And you know what?  It’s only going to get worse as the weather gets better.  Every year — without fail — my winters are filled with quiet, profound, introspective, and sometimes dark stuff.  But once the windows can roll down and my limbs can be freed from their fabric-layer prisons, it’s on.  But what about album of the month!?  Wrote about it already.  Yeah, it grew on me.  how to destroy angels.  Go tell your mom about it.

 

 

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Playlist: February 2013

February is a short month, but seriously, this year is pretty much almost over.  So while I prepare for April (at this rate, March is already done), here’s what I was blasting out of my boombox this month.

[Same note as last month: I’m going by iTunes play count, so I can’t be a weasel…]

<> on April 13, 2012 in Indio, California.

1. Frank Ocean – “Eyes Like Sky
Good Lord on high, this is one of the most beautiful songs I’ve ever heard.  These LYRICS.  The soft acoustic number reminds me of something from the early ’90s that would have fit nicely on the “grown up” stations (alongside Des’ree and Tracy Chapman or something).  Don’t let that fool you.  I tear up every time I hear this part:

I said I wish you could see the ocean/He said I wish you could see hope
I said have you ever seen a mountain?/He said no but my faith can move those
I said I wish you could see the stars/
He told me I should see love”

*Neil rips out heart strings* D:

He delivers it with such aching sincerity that I should just stop writing the rest of this list because I haven’t stopped listening to this song for about a week.

2. Taio Cruz – “Higher” (feat. Kylie Minogue)
Anything (ANYTHING) that “features” Kylie Minogue is guaranteed to be good.  Because Kylie Minogue.  (Editor’s note: for all of you hipsters scoffing and rolling your eyes, go listen to “Where the Wild Roses Grow“, her duet with Nick Cave.  And then shut the fuck up.)  It’s upbeat Euro-pop and, even though it came out in 2010, my sister just discovered it and we loves it, precious.  Like Usher, but less skeevy and trying-too-hard.  [Note: the US version has Travie McCoy… hahahahahahahahahaha, I don’t even know what to say to that….]

3. Macklemore and Ryan Lewis – “Thrift Shop” (feat. Wanz)
Yeah, Neil finally joined 2013.  I was so resistant to this song for months but then I finally listened to it all the way through (it’s on the radio every few minutes).  The Nate Dogg-ripoff chorus hooked me.  Then I read the lyrics and, after LOL’ing for a while (FYI, R. Kelly’s sheets smell like “pissssssssssssssssssssssss”), I decided that I liked the message (This validates my unabashed love of secondhand shops).  In his defense, I love the throwback early ’90s vibe.  And his other songs are surprisingly thoughtful.  I’ve been schooled.  This is fucking AWWWWSUMMMMMMM.

4. Azealia Banks – “Harlem Shake
I know, I know… just like #3 above, this is racially divisive and played out.  Cry me a river.  Bauuer’s version is pretty boring (I still think that the best of the meme videos improve the song, i.e. the Matt & Kim BESTCONCERTEVERHOLYSHIT); Azealia’s rap gives it a ton of aggressive grit and, frankly, cred.

5. The Pierces – “You’ll Be Mine
This hot sister duo made of my favorite records of ’07, the catchy and witty-as-fuck Thirteen Tales of Love and Revenge.  Coldplay’s hot bassist handles instrumentation on the 2011 album that spawned this track (You & I).  It’s not as immature, playful and sarcastic as Thirteen Tales, instead sounding like earnest adult stuff, much in the vein of recent KT Tunstall.

6. Stephen Frost – “All The Lovely Things
Playful.  Cabaret.  Whistling.  Tap-dancing.  FRENCH.  This is the song they played in the saloon from the MJ/McCartney video for “Say, Say, Sayafter Michael, Paul and Linda continued on their quack-journey.  My favorite track so far.  Good job, kid.

7. Justin Timberlake – “Suit and Tie” (feat. Jay-Z)
Hey, did you hear JT is back?  Of course you did.  This was in heavy rotation at the start of the month (I actually liked it!) but it’s getting so played out that I don’t really care anymore.  I’m not even getting tickets for the Legends of Summer throwdown at Fenway.  Whatever.  In regards to this song, I’ll let my mother handle my thoughts:

“Wow, this is so nice!  They need to bring back music like this….  Mmm, nice!”  Continues dancing.  Jay-Z abruptly jumps in.  “No.  Oh no.  Now it’s ruined.  Whyyyyy’d they have to do that?!???”  Stops dancing.

I love Jay, but his verse is so jarring and distracting that it loses me.  T.I. is a perfect compliment to JT.  He should be brought back.

8. Marina and the Diamonds – “E.V.O.L.”
Another clever kiss-off/fuck-you to love.  She is unstoppable.  This b-side would fit nicely on her first album, but it boasts the slick production from her latest.  I had this shit on repeat for days, so I’m not sure why it’s all the way at #8.  It should be at #5.  Blast this one, jilted guys and gals.

9. MS MR – “Bones
“OHMYGOD, IT’S THE GAME OF THRONES SONG!!!!!!”  Thank you, GoT s3 trailer.  This song is gloriously dark and grim.  Bits of Florence.  Bits of Bat for Lashes.  Flourishes of orchestral strings, gut-booming drums and spooky wailing.  So good.  Their EP is only $2.99 on iTunes.  Check it out.

10. Olly Murs – “Troublemaker” (feat. Flo Rida)
Yeah, this isn’t Maroon 5.  I know you thought it was Adam, but you are mistaken.  Being an Olly fan for a couple years now (Murs hipster!), this is a jarring shift from his fun, throwback British Pop (not Britpop) that ranged from Robbie Williams to One Direction to Estelle.  This is clearly THE big grab for the US market.  If you haven’t heard it on the radio yet, you will.  Oh you will.
Album of the Month

January belonged to Tegan and Sara.  Their pop breakthrough is untouchable and beloved by critics, ensuring you’ll be hearing about it until next January when all the 2013 lists come out (this one included).  My February record is from 2012, but I just got it (thanks HEG).  It’s so effortlessly good that it’s criminal.

Bruno Mars – Unorthodox Jukebox
My favorite tracks are “Moonshine,” “Natalie” and “Money Make Her Smile” (the bass line on that track is filthy good).  This album drips throwback, whether it’s of the Michael Jackson variety (“Natalie” is “Dirty Diana”/”Billy Jean” 2013.  The chorus reminds me of this, for some reason) or old fashioned ’50s doo-wop pop rock (“If I Knew“).  It’s all short too, clocking in at less than 40 minutes.  Way to leave us wanting more, Bruno.  It’s split into two personalities: the earnest, less bombastic tracks (“Young Girls“, “When I Was Your Man” and my aforementioned favorites) and then there’s the party-starting jams.  From the ridiculous lyrically-NSFW sexcapades of “Gorilla” and daft funk of “Treasure” to the ubiquitous “Locked Out of Heaven” and the reggae smoke track, “Show Me.”  Like the eponymous machine from the title, this album plays like a selection of greatest hits from decades long passed.  This little guy is awesome.

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